Henri Fantin-Latour
French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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Henri Fantin-Latour Duchess de Fitz James oil painting


Duchess de Fitz James
1867(1867) Medium English: Oil on canvas Dimensions English: 50.3 x 42.2 cm cyf
Painting ID::  81153 		Henri Fantin-Latour
Duchess de Fitz James
1867(1867) Medium English: Oil on canvas Dimensions English: 50.3 x 42.2 cm cyf
   
   
     
Henri Fantin-Latour Fleurs roses oil painting


Fleurs roses
Date before 1904 cyf
Painting ID::  81221 		Henri Fantin-Latour
Fleurs roses
Date before 1904 cyf
   
   
     
Henri Fantin-Latour A plate of apples oil painting


A plate of apples
1861 cyf
Painting ID::  81223 		Henri Fantin-Latour
A plate of apples
1861 cyf
   
   
     
Henri Fantin-Latour Violetas y Azaleas oil painting


Violetas y Azaleas
1875(1875) Medium Oil on canvas Dimensions 51.5 x 58 cm (20.3 x 22.8 in) cyf
Painting ID::  81230 		Henri Fantin-Latour
Violetas y Azaleas
1875(1875) Medium Oil on canvas Dimensions 51.5 x 58 cm (20.3 x 22.8 in) cyf
   
   
     
Henri Fantin-Latour Ramo primaveral oil painting


Ramo primaveral
1876(1876) Medium Oil on canvas Dimensions 29 x 40 cm (11.4 x 15.7 in) cyf
Painting ID::  81232 		Henri Fantin-Latour
Ramo primaveral
1876(1876) Medium Oil on canvas Dimensions 29 x 40 cm (11.4 x 15.7 in) cyf
   
   
     
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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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